400 COUPS CINEMA CHATELLERAULT
You are commenting using your Twitter account. But since their loss of global prominence, the French have been constantly fighting against the culture of American domination particularly since the end of the second world war. But we also have to fight against the short life that information can have. We even created an association called Clap to make us stronger. For example, right now we are screening short movies to kindergarten students and the hero is deaf. If you look at the history of our fiction and documentary films, there are very few films that were politicized.
The French are very proud of their food, their history, and their social system. This site uses Akismet to reduce spam. I think this is the way that it should be. It is a fact that our cinema does not speak to everyone because of the kind of movies that we screen. Moreover, the Americans do not put people in boxes like the French can do. But in the majority of the cases we can say that our audience has free time and has typical characteristics of the cinephile, meaning they are curious and interested in seeing films in foreign languages. Notify me of new comments via email.
For them it is absolutely natural. France was a country exporting its culture. The director is Pascal Robin and he chooses movies by conviction, because of their nature or because of his knowledge of the body of work produced by certain directors. We can say that the spectator chatelleralut in general a certain age. If you look at the history of our fiction and documentary films, there are very few films that were politicized.
In this kind of situation, we keep insisting by organizing constructive discussions whenever possible. Does the fact that the government is left or right have an influence on this policy?
You are chatelleraulg using your WordPress. For the French, culture should not be part of the free market and subsidies should be allocated towards the development of French cultural goods. For foreign films, an additional criteria to obtain the classification is whether the original version of the film is broadcasted with subtitles in French. All of these things have an impact on our choice of movies.
This point of view does not help their popularity outside of their borders where they are often perceived as arrogant and haughty. Do you help out any of the local young directors? I think this is the way that it should be. The same person can be on TV, do a one-man show, sing and be a cinema actor. A movie can also be part of the selection because during the negotiations, the distributor often provides us the film that we want and will include another film in the deal even if our interest in the second film is more limited.
It is important to keep good relations with the distributors. They are also quite often citizens who are engaged in different social activities and who like to participate in the debates that we have after the screenings. Based on this percentage they receive subsidies from the French government.
One the consequences is the fact that one piece of chatelerault replaces another almost immediately. How do you feel about the evolution of French cinema?
I could not accept to only screen movies at the cinema, our mission to educate is really important to me. In general we enjoy this kind of exchange. One particularity was the number of art house cinemas that we had in the region.
Because the Poitou Charentes region disappeared and now we are part of the region called Nouvelle Aquitaine, the association will probably take another form. Our system is a little bit pernicious because there are subsides for a little bit of everything. For example, right now we are screening short movies to chatelleraultt students and the hero is deaf.
Cinema “Les Coups” – Châtellerault (86 – Vienne)
Inwe sold more than 35, tickets.
France was a dominant country with a dominant language in international relations. When we broadcast a movie with political content for example about ecology, immigration, or women rights; the people coming to the screenings are already generally concerned about these topics.
We have a lot of people about to retire chatelletault who have been already retired. We screen between 4 or 5 movies per week so between and per year. For example, the thought of watching movies with subtitles can be repulsive for them. The first thing to understand is that the cinema is handled by an association previously called MJC MJC in France is defined as the organization for youth and culture.
From your point of view, what is the main difference between French and American cinema? The French are very proud of their food, their history, and their social system.
Les 400 Coups – Cinema
To understand why the French are so proud of their culture, it is important to put things into perspective. Besides the schools, in your opinion, what can be done to create more interest in the young people for the kind of movies that you broadcast? Today the problem is that you have to fight against movies that can easily be hacked, but at least the movie is seen.
Our cinema should denounce more things. Personally I have this objective and many of my colleauges do too. But since their loss of global prominence, the French have been constantly fighting against the culture of American domination particularly since the end of the second world war. How is the decision made to classify a movie as art-house? One exception can be made for a Turkish film called Mustang. This number seems somewhat surprising, knowing the types of films and documentaries screened here are not well publicized and Chatellerault only has a population clups 30, people.
Today we do not necessarily see chatelelrault type of thing in French film.
Les Coups | Cinema Chatellerault
It is a fact that our cinema does not speak to everyone because of the kind of movies that we screen. The main difference for me is the fact that the Americans have their blockbusters but at the same time their independent film genre is very strong.
We still have some issues such as this coupss overcome. In other words the French have implemented a form of protectionism where their cultural goods are chatellerailt.