During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure. Mounia quickly gets angry with him for talking about her sister that way. She then started to tell Rhimou how much she is fond of her out of all her sisters. This is exemplified when Sfiya sobs with her granddaughters and blames their mother in front of them for putting their father through a lot of misery. Amina ironically remarks that Karima is neither like rural girls nor Spanish ones.

This gives the impression that women, no matter how 22 Dar el Ghezlane, Episode 1 www. Mounia quickly gets angry with him for talking about her sister that way. Images of Women in Dar el Ghezlane 13 Conclusion Indeed, Rachid falls into the trap of this idealized housewife and declares that he prefers rural women to Spanish ones just because they are good housewives and excellent cooks. Another traditional view can be seen in this scene; that which states that no daughters should marry before her older sister. Youssef and Mounia Episode 1, Karima eloquently responds by saying that she is not addressing her father now, because her father is at home.

She also opens a box in which he kept his Tasbih beads, favorite cassettes, smoking pipe and photo album. Indeed, this scene reinforces this image of grievances that mother in laws nurse towards their daughter in laws and vice versa; the two women are depicted as fierce rivals in numerous occasions. After looking at her face, Hajj shouts at her because apparently she was wearing make-up. After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact lenses.

Once more, women are depicted as being deceitful and sycophantic.


This gives the impression that women, no matter how 22 Dar el Ghezlane, Episode 1 www. Another woman interrupts by saying that if men elisode women are useless then the opposite is true as well.

In this scene, the common conception of women being gossipers and complaining about everything is vividly reinforced. Embedded in this scene is another stereotype which was previously talked about which is the animosity between mother in laws and wives.

The Representation of Women in Moroccan Television | Zak Boukhriss –

Women in Moroccan Media First and foremost, it is of vital importance to shed some light on the the audiovisual situation in Morocco. Bahia in the Father’s Room Episode 1, Karima makes it clear that neither him, the belt nor the villagers can keep her quiet.

The name of the series is the village in which its main events take place. Analysis of the Images of Women One stereotype that is strongly reinforced in this scene is that of women being always curious in their quest to discover hidden things and unveil family secrets even though it has only been a day since the death of the owner of those objects, namely the father. After complimenting mnanz on her successful last surgery he wishes that he assisted her.

Moving on from to a more recent time, the political scene has witnessed many efforts as far as empowering episoed image of women in the media is concerned. Suddenly, he notices a female doctor talking to someone at the end of the corridor.

Khalfi, an amendment in the audio-visual law that will ensure fighting all forms of sexism and discrimination against women in the media. Mounia expresses her desire to get married and tells Karima that Rachid has just returned from Spain and that he is downstairs with her father. She explains that she is pregnant. He apologizes to her for being disrespectful and worrying about his shoe when she has just 19 Bnat La La Mnana, Episode 1 www.

Conclusion The aim of this paper was to investigate the representation of women in the Moroccan.


مسلسل بنات لالة منانة الحلقة 5 Bnat Lala Mnana Episode 5

Public setting in the parliament. Again, Hajj Bahi uses the same techniques to persuade Rachid to marry Karima by praising her cooking abilities even though she did not prepare the tea at all.

Accordingly, the first part of it will provide a theoretical background that will pave the way to the analysis chapter. Karima comes running and grabs a rock; she hits him in the head knocking him unconscious. Hajj Bahi leaves the house because he has something to do and leaves Rachid sitting in the guestroom. The implication in this scene lla that being a female will always attract the sexual interest of co-workers and that no lal how good she is at her job —even after successfully performing a heart surgery- she is still looked at as a body and judged as such.

She expressively declares that she is now speaking to the governor of the Dar el Ghezlan municipality and it is his duty to listen to what she has to say. They, then, resume their slogans and leave the ceremony. Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from doing anything that is against her feminist ideals. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations.

Rhimou asked Bahia what she was doing in there; the latter replied that she was resting. Mennana, Sfiya and Chama Episode 1, Aicha Episode 1, Anis Episode 1,