ENSIGN FUL-VUE CAMERA FILM
Design was once again used as a selling point with this camera. Skip to main content. In Ensign Ltd designed a box camera with a single format and a large brilliant reflex viewfinder of the type which had become popular on some more expensive cameras like the Voigtlander Brillant. This Ful-Vue was available almost to the time when the Ensign Company ceased trading. The Ful-Vue was a simple, all metal camera with a single speed shutter and meniscus lens that had two ranges of focus depending on the position of the lens. In the image to the left, the takeup side does not have a spool, and the supply side has an empty spool in it. No collectors number sticker at the rear. The Ful-Vue also lacks any double exposure prevention, so you must remember to advance the film to the next blank exposure after every shot, unless of course you intentionally want to double or triple, quadruple, etc expose an image.
Other metal fittings are chromium plated. The improved version was called Ful-Vue II. I happened to have a roll of expired Kodak Portra in my drawer, so I thought this to be a wise choice for the Ful-Vue. It would surely have been prohibitively expensive to invest in new injection moulding equipment. I have tested the model 2 camera with film. It was during this period that the second generation Ful-Vue being reviewed here was created. This seems to have been Ross Ensign policy on their cheaper cameras both the Snapper and the Clubman, contemporaries of the Ful-Vue Super, used roll film. Following the end of WWII many manufacturing industries struggled to re-establish themselves in an age of continuing austerity and many attempted to introduce new products which would catch the eye of the public.
Dispatched with Royal Mail 2nd Class. There are a few scrapes on the body of the camera see photographs but cmera in good condition. I would need to move the empty spool from the supply side to the takeup side before loading a new roll of film into the camera. The design was certainly innovative and different for a British ful-ve camera but, to my mind at least, there are strong echoes of Art-Deco styling from a decade before.
No dents, No dings. Unlike most box cameras however, the film compartment slides out of the side of the camera, and not the back. The second generation Ful-Vue had a stamped metal body with a crinkle paint finish. The overall condition of this item is ok. The camera back was also of pressed steel and could be completely removed for film loading.
The super was similar in appearance to the earlier model but with slightly more angular lines and a hood for the view finder made out of steel onto which was emblazoned the Ross Ensign trade mark.
Ensign Ful-Vue (1946)
The history of the Ful-Vue reflects the history of the Ensign companies. The camera is designed to take 12 exposures 6 X 6 cm on size film. Originally designed in the Bauhaus tradition of ‘form follows function’ the first Flu-vue was a simple pressed steel box camera with a crystalline enamel finish.
The image, seen by the lens and reversed laterally and at almost natural size, is viewed through a large magnifying lens set on the top of the viewfinder housing. Adrian Richmond states that colored models red, white and blue were sold into celebrate the coronation of Queen Elizabeth II;  However, no other evidence for these cameras has been seen: The Ful-Vue is an innovatively styled box camera of simple specification and designed for general snapshot photography.
The complete Ful-Vue series serves as a model for Through-The-Viewfinder TTV photography, where ensiyn use other cameras mostly digital to take pictures through their amazingly big viewfinders. In an attempt to show the public the way “from war to peace” Sir Stafford Cripps, president of the Board of Trade, proposed that an exhibition of British products should be arranged to show the public what manufacturers could achieve in post war Britain. A model 1 and 2 of the Ensign Ful Vue in very good condition, sold as a pair.
Spring Tensioned Metal Blade Speeds: This gave the camera one of the brightest view finders vilm the time, better even than some of the more expensive reflex cameras available.
Ensign – Ful-Vue
My Final Word How these ratings work. The overall condition of this item is ok. Butcher and Sons Ltd. Strangely no write up appeared in the B. Box Cameras More from this seller. Interestingly the mirror for the view finder was not made of mirrored glass but a polished metal plate secured by two screws on either side.
In the image to the left, the takeup side does not have a spool, and the supply side has an empty spool in it. The lens was also improved, the ‘all distance’ lens that had been with the camera from the beginning, was now replaced by a three point focusing lens.
I have tested the model one camera filn the shutter does seem to fire OK. In front of the box there is a hole, over which the lens is fixed. Within the year a flash holder was released to accompany the camera. Through the viewfinder photography The complete Ful-Vue series ensugn as a model for Through-The-Viewfinder TTV photography, where people use other cameras mostly digital to take pictures through their amazingly big viewfinders. Since the format was cakera, one viewfinder was all that was required.
I definitely enjoyed my time with the Ful Vue. Box Cameras More from this seller. Model 2 camera comes with box and intruction manual, box is very worn also the case which can be used on either camera. Focusing was ffilm by pulling the lens out for close exposures. In my experience, the color film with the widest degree of latitude is Kodak Portra.
I just enjoyed it so much, it was very easy to get through the fup-vue. One side of the camera body is completely removable to facilitate film insertion and removal and is locked and unlocked by a rotary control on the side. In my opinion it is more likely that production of this camera was contracted out to another company in an attempt to cut costs. There is a second lens in a second box above it.
Like most box cameras, the Ful-Vue is designed to be held at waist level and composed through the cameda and bright brilliant viewfinder.
Box shows very obvious signs of age – lid has loss of card and has been retaped previously. I am glad I discovered this before shooting my first roll as I hope to take advantage of this feature.
The design of the new Ful-Vue is worth special comment, not only did Ensign abandon the conventional box shape for this camera but they utilised many of the new fashions in design to produce a very modern looking product. Design was once again used as a selling point with this camera.
I am uncertain if the Ful-Vue was ever exported to the US, but if it was, it had to have been done in small numbers as the fkl-vue for sale here is pretty low.
ful-vue | Flickr
The improved version was called Ful-Vue II. The earliest Ful-Vue version of was a typical box camera with back door, but already having the characteristic big viewfinder. As a result, the Ful-Vue can be quite popular for collectors.
This is flm good example of the early Ensign Ful-Vue. Black and White films are usually the safest bet as they almost always offer a superior level of latitude over color films.