LA MAISON DA COTE EPISODE 153-2
Colnaghi] 6 Cramer, Michael 7 Daniels, David [? Pull, push or market sentiment? How Much Further to Go? Katz held in , , and ; and two Firma D. Jakob Brochner Madsen, Arrangement Arranged in four topical subseries: Kress Foundation] Printed matter.
Where Do We Go from Here? International Journal of Methodology , Springer, vol. A Retrospective on the Bretton Woods System: Occasionally, financial records are included with correspondence with individual clients. Album with photographs of stock. Capital Flows and the Emerging Economies:
Daniel Zerfu Gurara, Administrative Information Access Open for use by qualified researchers. Photographs of unidentified artworks are filed at the end. Arrangement Arranged into four groups: The Schaeffers also contributed artworks to numerous art museums in United States, Canada, and Europe. An exploration of Nepalese and Indian exchange rate relations: Also filed with this subseries are documents related to Hanns Schaeffer’s business travels, letters regarding advertising for the gallery, and cables.
Huda, Fakir Azmal, What Do We Know? Ethanol Demand and World Hunger: The ledgers record sales to clients between to Enschede en Zonen] 8 Erlanger, Arthur L.
Exit And Voice From Abroad? Is there a Link? What has been done and where we stand ,” Research in EconomicsElsevier, vol. Theory and evidence ,” Economics and PoliticsWiley Blackwell, vol. An intra-national and international comparison ,” Journal of International Money and FinanceElsevier, vol. The experience of developing countries ,” Journal of Policy ModelingElsevier, vol.
Peter J. Montiel
Also present are notes; photographs; certificates of authenticity; lists of clients and artworks; Kate Schaeffer’s manuscript on Javanese art; a group of annotated offprints, exhibition catalogs, auction catalogs, and other publications; and some unidentified items. Records of sales from to include the name of the artist, the mwison of the artwork, and the price; other information is only occasionally included. Scope and Content of Collection The records of the Schaeffer Galleries document the gallery’s stock and business dealings from the early s until the late s, laa in Berlin and New York.
Cunningham] 5 Hartmann, M. Where did all the welfare gains go? Arrangement Arranged in two subseries: What Has Really Been Sweat?
Arrangement Arranged chronologically by year and alphabetically by correspondent within each year. Photographs of attributed artworks are marked on the verso with information regarding the artist or school, dimensions, or provenance, and often bear the photographer’s stamp.
II 2 Baer, Curtis O. Related Archival Materials Schaeffer Galleries records. Bock von 7 Zagier, David de B. Brazil and Korea ,” Journal of MacroeconomicsElsevier, vol. Stern School of Business, Department of Economics.
Peter J. Montiel | IDEAS/RePEc
Evidence based on vector autoregression with sign restrictions ,” Journal of Asian EconomicsElsevier, vol.
The gallery in Berlin remained operational until Inventory, approximatelyundated Yaw Nyarko and Kwabena Gyimah-Brempong, Most photographs show an artwork before restoration.
Arrangement The original alphabetical arrangement by the artist’s name or school is preserved. Speed Art Museum] 2 Malibu [J. Additions received in and 45 boxes were merged with the archive between and by Isabella Zuralski who also reorganized and reprocessed portions of the archive and substantially rewrote the finding aid.
Vo, Xuan Vinh, Mariam El Hamiani Khatat, Gove] 1 Duisberg, Walter H. They are friends who share unstintingly in helping curators, directors and trustees to choose with care the works of art which redound to the credit of their museums” cit.
Photographs of sold paintings with descriptionsundated Arrangement Arranged alphabetically by the name of the artist. Ekanem, Nkanta Frank, Present is epsiode dating from toexcept for the years, and 13-2 held in, and ; and two Firma D.
Boerner] 4 Tretyakov, Peter P. Douwes] 8 Edinburg, Joseph M. Schaeffer Galleries New York, N. The second subseries includes photographic material of attributed artworks that was found without textual documentation, unidentified artworks, forgeries, and artworks in restoration.
What Determines Market Access?
Graciela Laura Kaminsky, What Do We Need to Know? The effects of programs, loans, and compliance with conditionality ,” Epsiode DevelopmentElsevier, vol. Among their clients were many renowned American and European art collectors, including George S.